"The imposcar has a personality all of its own."
Matt Johnson (Jamiroquai)
Customer feedback on this instrument:
"I love the impOSCar it captures the sound of the OSCar perfectly, which is one of my favourite mono synths. I have loads of soft synths but only a handful that I turn to on a regular basis, the imposcar being one of them.
Like the OSCar it is unique, nothing else sounds quite like it, but to have it with the addition of polyphony and all the other modern improvements that the impOSCar has is brilliant."
Paul Hartnol (Orbital & Solo Artist)
"I bought the Oddity and ImpOSCar a few months ago and couldn't believe how great they were."
Trent Reznor (Nine Inch Nails)
"For a long time, I was not a fan of software synths, finding them less intuitive and less musical than their hardware brethren. However, my view is changing, and much of the credit or blame lies at GForce Software's door.
I like M-Tron, and the Oddity was the first software synth I used that combined an accurate representation of its inspiration, a good user interface and watertight operation.
With ImpOSCar, the company has gone still further and, now that everything works correctly, the additional benefits outweigh any reservations I might have had."
Gordon Reid (Sound On Sound Magazine)
"The GForce suite of plug-ins (Minimonsta, OSCar & Oddity) are fatter than a ten dollar pork chop! They are very usable in a wide variety of styles of music.
They're great in the studio or on the road in my Neko 64 virtual synth keyboard. They really do offer a real great taste, MORE filling sensation!"
Morris Hayes (Keyboardist for Prince & Maceo Parker)
"I use the Oddity for effects so it usually comes in at the end of the songwriting process. There's a fantastic preset called Kamikaze which I use for builds etc.
Then I use the impOSCar for some dancey stuff, MIDI sync'd arpeggiation and stuff like that."
Fraser T Smith (Craig David, Plan B, Mutya, Kano)
"The Minimonsta, ImpOSCar and Oddity are my favorite go-to virtual synths - hands down. In the fast pace world of interactive music scoring and sound design for video games, you have endless creative possibilities with this killer suite of plug-ins. They are unequivocally the FATTEST sounding plug-ins and programmable beasts on the planet."
Sean Charles (Audio Director, Propaganda Games - A Buena Vista Games Studio)
"Oddity, ImpOscar!!!! Absolutely right on! So far we've used the Oddity in particular on every track I've done. Thanks for being original."
"It looks right and sounds right. I was impressed with the attention to detail on all fronts."
Chris Hugget (OSCar designer)
"I'd bought the Oddity and ImpOSCar a few months ago and couldn't believe how great they were."
Trent Reznor (Nine Inch Nails)
"The original Oscar was one of only a few analogue synths that I never had the pleasure of playing but after only an hour or so with the impOSCar it's pretty clear that I missed out on a great synth.
This is a programmer's dream, a real variety of sounds are possible ranging from pure evolving textures to hard driven and modulated lead lines. The LFO section is one of the most natural sounding on a soft synth and the effects are a welcome bonus. A modern classic."
Richard Barbieri (Japan, Porcupine Tree)
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